“Cinema in reconstruction: Japan’s post-3.11 documentary.” In Film on the Faultline, edited by Alan Wright. Chicago: University of Chicago Press, 2015.
“(Community) Video Art: DCTV’s Expanded Documentary Practice.” Millennium Film Journal 65 (Spring 2017).
Film Reviews & Essays
“My First Flaherty: Joel Neville Anderson.” Flaherty Stories: Voices from the Robert Flaherty Film Seminar, companion blog to The Flaherty: Decades in the Cause of Independent Cinema (2017) by Patricia R. Zimmermann and Scott MacDonald. September 8, 2017.
“Let’s Use the Art Strike to Hold Cultural Institutions Accountable.” Hyperallergic. January 19, 2017.
Screen Slate articles: The Actor (2015). Web. 2016-present.
“The infant and the cadaver: Paul Schrader’s films and criticism.” In Directory of World Cinema: American Independent 3, edited by John Berra. Chicago: University of Chicago Press, 2016.
“Mitsuo Yanagimachi: Currents of dissent and modes of social critique.” Directory of World Cinema: Japan 3, edited by John Berra. Chicago: University of Chicago Press, 2015.
Profile of Hal Hartley, reviews of The Indian Runner (1991), Laws of Gravity (1992), The Limits of Control (2009). Directory of World Cinema: American Independent 2, edited by John Berra. Chicago: University of Chicago Press, 2013.
Festival Focus: JAPAN CUTS, reviews of The Blood of Rebirth (2009), Blue Spring (2001), Merry Christmas, Mr. Lawrence (1983), The Munekata Sisters (1950). Directory of World Cinema: Japan 2, edited by John Berra. Chicago: University of Chicago Press, 2012.
Film reviews and essays. Cinespect. Web. 2010-2012.
Encyclopedia entries for Shinji Aoyama, Cure (1997), Doppelgänger (2003), Killers (2014). The Encyclopedia of Japanese Horror Films, edited by Salvador Jimenez Murguía. Lanham, MD: Rowman & Littlefield Publishers, 2016.
Wiki contributor. Japanese Women Behind the Scenes. Web. 2011-present.